the afterglow



the acoustic part is complimented by a collection of bespoke afterglow patches, created by processing the recordings with rare vintage hardware and tape.
Inspired by modern sound design of soundtracks like Hildur Guðnadóttir‘s ‘Chernobyl’ and Geoff Barrow’s and Ben Salisbury’s work on ‘Annihilation’,
it’s a collection of bespoke patches that evoke that dusty, analogue vibe, ranging from fragile and soft to dirty remains of the original signal.