the afterglow

the acoustic part is complimented by the afterglow patches, created by processing the recordings with rare vintage hardware and tape.
the standout pieces used include filter famously used by stockhausen, an emt 224 reverb and an early digital pitch shifter made by publison somewhere between frace and the 7th gate of hell.
it’s a collection of bespoke patches that evoke that dusty, analogue vibe, ranging from fragile and soft to dirty remains of the original signal.